A
Famous Designer
Alphonse Hubert François
Balat (Gochenée
1819 - Ixelles
1895) was a Belgian
architect.
Interior of the dome of the 'Grand Jardin
d'hiver'
He studied at the Academie of Namur
and obtained his degree in architecture from the Academy of
Antwerp in
1838. In 1839 he stayed in Paris for a year but returned
after his fathers death. He was soon discovered by the
Walloon
nobility
for which he built or renovated a number of 'Château's'
(amongst others Castle
of Jehay-Bodegnée, Presles).
Stylistically these constructions often contained renaissance
elements with a neoclassical
stress. In his interior designs he also used elements from
the Louis XV
and Louis XVI
styles.
Palace of the Marquess of Assche
In 1846 Balat settled in Brussels.
His was introduced to the Belgian royal family after he was
noticed for his design of a temporary festive decoration for
the
Salle de la Madeleine (Magdalenamarkt) where the royal
family had been present (1848). In 1851 and 1856 he created
several temporary festive decorations for the monarchy. In 1852
he was appointed as the architect of the Duke of
Brabant, the later king Leopold
II of Belgium. In 1856 he constructed the town palace
(Hôtel) of the Marquess of Assche (Asse) in the
newly planned district called 'Quartier Léopold'. It was
noticed for its austere classical Neo-Renaissance
facade inspired by Michelangelo's
Palazzo
Farnese in Rome. His
rather sober classical approach was rare at that time when
excessively decorated facades and interiors were much
preferred . During his career he built a large number of
private residences. Most of them were demolished during the
20th century.
After Leopold II ascended the throne in 1865, Balat became
his principal architect. Balat made a number of designs for the
sumptuous reception rooms of the palace such as the 'Throne
Room', 'The Grand Staircase', and the 'Grande Galerie'. For
this realisations he greatly followed the example of the French
Royal residences. Balat realised the facade on the back of the
palace and the facades of the courtyards. His design for the
principal facade of the Royal
Palace of Belgium is deeply influenced by the work of
the French architect Ange-Jacques
Gabriel. It was not executed during Balat's lifetime and
later completed in an altered form by
Henri Maquet.
His most successful architectural project are the
Royal
Greenhouses of Laeken. It consists of a huge complex of
several dome-shaped buildings in iron and glass that are
connected by glass-roofed galleries. The centerpiece is the
domed 'Grand Jardin d'hiver' which is a circular
interpretation of the Palm
House of the Royal
Botanic Gardens, Kew. Working with new materials like
iron and glass, Balat was obliged to abandon his 'classical'
stance. This stimulated the imagination of the architect. In
the steel constructions he introduced decorative motifs
derived from plants and flowers. This formed a first step
towards Art
Nouveau architecture that was further devolopped by
Victor
Horta who served as an apprentice of Balat.
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